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Search results for tag #classicalmusic

[?]kanageohis1964 » 🌐
@kanageohis1964@fedibird.com

今日はガブリエル・ピエルネの誕生日。1863年、フランス、ロレーヌ地方のメス(Metz)という街に生まれる。

この街は中世にはドイツ領だったが、17世紀にフランス領になっている。街の名のスペルがドイツ風なのはその名残。ピエルネの父親はここの音楽院の教師であり、母親もピアニストという音楽一家だった。

1871年の普仏戦争の結果、アルザス・ロレーヌ地方がプロイセンに割譲されたため、一家はパリへ移住を余儀なくされている。

    [?]Joanna Holman [She/Her (they/them also fine)] » 🌐
    @joannaholman@aus.social

    I saw Singapore Symphony Orchestra perform tonight. It was a truly extraordinary program of Singaporean orchestral music but what most captured me was the sign language interpretation. There was the usual interpreter for the spoken remarks between songs but there was also a second interpreter Lily Goh communicating the musical dynamics of fully instrumental pieces. I’ve seen plenty of sign language interpretation for songs with lyrics but this is the first time I’ve seen it for orchestral works. You can see some of her work on the livestream

    youtube.com/live/eAXyI7WkZYQ

      [?]George Liquor, American [He/Him/Y'all] » 🌐
      @liquor_american@universeodon.com

      Hi music fans !

      This is your periodic reminder that I have a little storefront on Discogs with ~300 CDs, cassettes, and records. If you're a person who's still into that kind of thing (or maybe need a gift for someone who is), I hope you'll take a look. There's a little something for everyone, see genre tags below.

      Boosts are greatly appreciated.

      Happy listening !

      discogs.com/seller/scoobydoobi

        [?]Assoc for Scottish Literature » 🌐
        @scotlit@mastodon.scot

        Walter Scott, Opera, & the Italian Journey

        “What was it about Scott’s poems and novels that attracted composers all over Europe—and inspired more than seventy operas? […] We have four on Rob Roy, four on The Heart of Midlothian, eight on The Bride of Lammermoor, and no less than eleven each on Ivanhoe and Kenilworth.”

        📷 “Lucia di Lammermoor”, Metropolitan Opera 2011

        thebottleimp.org.uk/2011/05/sc

        Natalie Dessay as Lucia di Lammermoor for the Metropolitan Opera in 2011. The photo shows a young woman in a white wedding dress. She holds one hand to her cheek and looks upwards and away, with a lost, distracted expression. She has long, dark hair. Her raised hand, and the entire front of her white dress, is splashed with red blood. Behind her, a group of men and women in what appear to be late-19th-century formal clothes are seen, out of focus, standing on a curving stair.

        Alt...Natalie Dessay as Lucia di Lammermoor for the Metropolitan Opera in 2011. The photo shows a young woman in a white wedding dress. She holds one hand to her cheek and looks upwards and away, with a lost, distracted expression. She has long, dark hair. Her raised hand, and the entire front of her white dress, is splashed with red blood. Behind her, a group of men and women in what appear to be late-19th-century formal clothes are seen, out of focus, standing on a curving stair.

          [?]Holland Albright ♫ 🌈 » 🌐
          @hollandalbright@peoplemaking.games

          Lost to the Ages

          New score video: youtube.com/watch?v=7h07HMFoiG0

          This piece had a lot of imagery to me of a sort of mysterious, ancient sort of place. I really love the aesthetic of ruins reclaimed by nature.

            [?]feinstruktur » 🌐
            @feinstruktur@mastodon.social

            Good mornig Flowers!
            It's the 3rd day of Nemoralia.
            Celebrating with lots of ☕ ☕ ☕ & exquisite music by Georg Anton Benda: Concerto in B minor for Harpsichord, Strings & BC
            youtu.be/ro7iRBDb1VI
            &

              [?]The Guardian Feeds » 🤖 🌐
              @guardianfeeds@rssfeed.media

              Hillborg: Lost Landscapes album review – sonic imagination and luminous colours
              By Clive Paget

              Gothenburg Symphony Orchestra/Kuusisto/Lubman/Falk Winland(Alpha)Unconventional instrumentation adds to the filmic feeling of these three works by the Swedish composer, played on this recording by a powerhouse orchestra on top form

              theguardian.com/music/2026/aug

                [?]The Guardian Feeds » 🤖 🌐
                @guardianfeeds@rssfeed.media

                At a loss as to which Stephen Moss you’re referring to? So are many others | Letters
                By Guardian Staff

                Stephen Moss and Stephen Moss find the humour in having the same name and working for the same company

                theguardian.com/media/2026/aug

                  [?]Verdant Square Network » 🌐
                  @verdantsquare@mastodon.world

                  [?]Holland Albright ♫ 🌈 » 🌐
                  @hollandalbright@peoplemaking.games

                  Lost to the Ages

                  New score video: youtu.be/7h07HMFoiG0

                  This piece had a lot of imagery to me of a sort of mysterious, ancient sort of place. I really love the aesthetic of ruins reclaimed by nature.

                    [?]kanageohis1964 » 🌐
                    @kanageohis1964@fedibird.com

                    今日はカール・ベームの命日。1981年、ザルツブルクにて没。享年86。

                    オーストリア政府からウィーン中央墓地の提供の申し出があったが遺族が断り、故郷のグラーツ・シュタインフェルト墓地にあるベーム家代々の墓に収められた。maps.app.goo.gl/ktYup2ofcAD5ra commons.wikimedia.org/wiki/Fil

                    亡くなる前年の最後の来日公演では終演後に聴衆がステージに押し寄せる熱狂ぶりがNHKの映像で伝えられた。 youtube.com/watch?si=i9hZmVg6t 今は「一般参賀」と呼ぶ様になった終演後に指揮者だけがカーテンコールに応じる現象の始まりは、多分この時だったんじゃないかと思う。

                      [?]Kalman Reti » 🌐
                      @kalmanreti@mastodon.social

                      A video showing the two-piano reduction score of a favorite piano concerto of mine: Emil Sauer's 1st (with the gorgeous Cavatina third movement) played by Stephen Hough and the City of Birmingham Symphony Orchestra conducted by Lawrence Foster:

                      youtube.com/watch?v=sV4DUUhsPRA

                      @classicalmusic

                        [?]Miguel Vicente » 🌐
                        @MusicoTeorico@mstdn.social

                        [?]kanageohis1964 » 🌐
                        @kanageohis1964@fedibird.com

                        今日はフランス・ブリュッヘンの命日。2014年、アムステルダムにて没。享年79。

                        バッハ・コレギウム・ジャパンのチェロ奏者でブリュッヘンとの共演経験のある鈴木秀美の追悼文がWEBで公開されている。
                        magazine.artespublishing.com/w

                        ブリュッヘンの葬儀や墓については公式な情報は見当たらない。葬儀に際してブリュッヘンの妻が北海沿岸で散骨にする意思を表明したという記事を載せているブログがあるが、他に裏付けのある情報がない。

                        当初はリコーダー奏者として名を馳せたブリュッヘンだが、18世紀オーケストラを編成した頃からは指揮者としての活動の方がメインになった様だ。

                          [?]Verdant Square Network » 🌐
                          @verdantsquare@mastodon.world

                          [?]Benjamin Han » 🌐
                          @BenjaminHan@sigmoid.social

                          [?]The Guardian Feeds » 🤖 🌐
                          @guardianfeeds@rssfeed.media

                          LA Phil/Dudamel; Fantasia Orchestra / Fetherstonhaugh/Glennie reviews – high-contrast programming
                          By Flora Willson

                          Royal Albert Hall, LondonThe first of two evening proms began with the Los Angeles Philharmonic’s polished but polite Beethoven and intoxicating Adès. Later, the Fantasia orchestra’s bitty playlist-type programme only occasionally sparked into life.

                          theguardian.com/music/2026/aug

                            [?]Kalman Reti » 🌐
                            @kalmanreti@mastodon.social

                            A fine performance of one of my favorite chamber works, Chausson's Opus 21 Concerto for violin, piano and string quartet, played by Rachel Barton Pine (violin), Orion Weiss (piano) and the Pacifica Quartet:

                            youtube.com/watch?v=FgMB16wKrgE

                            @classicalmusic

                              [?]Benjamin Garelly » 🌐
                              @DonGarellos@mastodon.social

                              Boston Symphony Orchestra / Andris Nelsons / Yo-Yo Ma 🇺🇸
                              Shostakovich: The Cello Concertos (2025)

                              open.spotify.com/album/4yrklVx

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