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Search results for tag #music

[?]The Guardian Feeds » 🤖 🌐
@guardianfeeds@rssfeed.media

Our Eyes Looking for God review – exploring the Black British experience in rap, reggae and arias
By Alexandra Coghlan

The Pit, Barbican, LondonRenell Shaw and TD Moyo’s new opera, with libretto by April Koyejo-Audiger, tells a tragic story of two cousins. Gamba Cole shines as Adjani

theguardian.com/music/2026/sep

    [?]feinstruktur » 🌐
    @feinstruktur@mastodon.social

    Good morning Faes!
    Starting today with charming music by C.P.E.Bach: Concerto in A minor for Keyboard Strings & B.c Wq.1 H.403
    youtu.be/T3zf5__vEPI

      [?]The Guardian Feeds » 🤖 🌐
      @guardianfeeds@rssfeed.media

      Lucas Debargue: Gershwin Variations album review – freshness and flair
      By Clive Paget

      (Sony)Alongside supple and distinctive accounts of Rhapsody in Blue and the Piano Concerto and Preludes, the French pianist showcases his jazz chops in reinterpretations of Gershwin’s timeless songs

      theguardian.com/music/2026/sep

        [?]mjt » 🌐
        @mjt@mastodon.online

        “[Seattle’s] Bumbershoot has always been most effective when it has been all things to all people,” he added. “Your parents could go and see Ladysmith Black Mambazo and Mavis Staples or something, and then you could go see some punk band you like playing on the other side of the Seattle Center. It feels to me like it’s starting to land back in a place that seems appropriate for the venue and legacy of the festival.”

        seattletimes.com/entertainment

          [?]The Guardian Feeds » 🤖 🌐
          @guardianfeeds@rssfeed.media

          Lise Davidsen: Verdi album review
          By Clive Paget

          (Decca)Focusing on five Verdian heroines (and anti-heroines), the soprano has chosen roles that fit her formidable vocal talents perfectly. Edward Gardner and the London Philharmonic Orchestra provide detailed accompaniment for these striking portraits

          theguardian.com/music/2026/sep

            [?]The Guardian Feeds » 🤖 🌐
            @guardianfeeds@rssfeed.media

            The 2026 Proms: tell us about your favourite concerts
            By Imogen Tilden

            Ahead of Saturday’s Last Night, we want to hear what you’ve enjoyed this year. Has any of the new music made it on to your playlists? Which soloists wowed you? Did you sing along to Hey Jude with the Jupiter Ensemble? Share your listening experiences in the comments

            theguardian.com/music/2026/sep

              [?]Nicolas Hussein 🎶🎻🏳️‍🌈 » 🌐
              @NicolasHussein@mastodon.online

              Connaissez-vous ma Fantaisie op. 3 pour , en la et ? Composée en 2018, d’une durée de 11 minutes environ, elle vous fera naviguer dans une esthétique inspirée de Debussy, avec quelques touches de Ravel ➡️ nicolashussein.fr/produit/fant

              Intérieur partition : Nicolas Hussein, Fantaisie opus 3 pour alto, clarinette et piano

              Alt...Intérieur partition : Nicolas Hussein, Fantaisie opus 3 pour alto, clarinette et piano

                [?]feinstruktur » 🌐
                @feinstruktur@mastodon.social

                Good morning Flowers!
                Today we start with music by the Johann Gottlieb Goldberg (1727 – 1756): Trio Sonata in A minor for 2 Violins & B.c DürG 11
                youtu.be/-QHWJYaODWw

                  [?]Misty [she/her] » 🌐
                  @misty@digipres.club

                  [?]Greg Wilson » 🌐
                  @gvwilson@mastodon.social

                  [?]The Guardian Feeds » 🤖 🌐
                  @guardianfeeds@rssfeed.media

                  Forget vinyl v digital debates, this kind of musical ‘authenticity’ brings real rewards
                  By Tom Service

                  Period instruments are miles away from retro affectation, and as two Proms this week will show, can actually bring historical music up to the moment

                  theguardian.com/music/2026/sep

                    [?]feinstruktur » 🌐
                    @feinstruktur@mastodon.social

                    Good morning, Faeries!
                    Starting humpday with lots of ☕ ☕ ☕ & excellent music by Giovanni Lorenzo Gregori (1663 – 1745) : 10 Concerti grossi per due violini concertati con i ripieni se piace, alto viola, arcileuto o violoncello, con il basso per l’organo, Op. 2 (Lucca, 1698)
                    youtu.be/cWKxzveenuw

                      [?]The Guardian Feeds » 🤖 🌐
                      @guardianfeeds@rssfeed.media

                      Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned
                      By Leslie Felperin

                      Musician is also rattled to find her appearance gets far more attention than her playing in this reflective documentary from Lorna Tucker

                      theguardian.com/film/2026/sep/

                        [?]The Guardian Feeds » 🤖 🌐
                        @guardianfeeds@rssfeed.media

                        I co-founded an orchestra 18 years ago. Since then, I’ve seen doors close for working-class musicians | Robert Ames
                        By Robert Ames

                        I have lost patience with the sector’s talk of diversity when it refuses to acknowledge those people who can’t afford to keep playing

                        theguardian.com/commentisfree/

                          [?]Shawn Webb [He/Him] » 🌐
                          @lattera@bsd.network

                          [?]Shawn Webb [He/Him] » 🌐
                          @lattera@bsd.network

                          [?]The Guardian Feeds » 🤖 🌐
                          @guardianfeeds@rssfeed.media

                          Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
                          By Clive Paget

                          Royal Albert Hall, LondonSimon Rattle, guest conducting the period instrument ensemble, brought insights and detail to these three lesser known works by Schumann. Isabelle Faust was a spirited and graceful soloist in the Violin Concerto

                          theguardian.com/music/2026/sep

                            [?]michael » 🌐
                            @proseandpassion@mastodon.social

                            people: come along and with ! No auditions, no performances, no commitment required. cowleyorchestra.weebly.com/dat All welcome. why not try taking turns with others? Also, feel free to suggest a piece from our vast (>350 sets). thru to

                              [?]feinstruktur » 🌐
                              @feinstruktur@mastodon.social

                              Good morning Flowers!
                              Starting today with lots of ☕ ☕ ☕ & delicious music by Christoph Schaffrath: Concerto in C minor for Keyboard, Strings & B.c CSWV:C:11
                              youtu.be/VzmEsvXLqFw

                                [?]Nicolas Hussein 🎶🎻🏳️‍🌈 » 🌐
                                @NicolasHussein@mastodon.online

                                [#rediffusion] Évadez-vous en Catalogne avec le Isnino ! Isaac , España, Capricho catalán (extrait) makertube.net/w/qEiNAq9Vc7hJnG Merci d'avance pour vos vues / likes / abonnements / partages 😍🙏🎶🎻 @music

                                Brian Marick boosted

                                [?]Greg Wilson » 🌐
                                @gvwilson@mastodon.social

                                [?]The Guardian Feeds » 🤖 🌐
                                @guardianfeeds@rssfeed.media

                                BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
                                By Clive Paget

                                Royal Albert Hall, LondonGwilym Simcock’s concerto – written for Sheku Kanneh-Mason, Ben Goldscheider and Jess Gillam (cello, horn and sax) – had problems of balance but at its best was a riot of colours and energy

                                theguardian.com/music/2026/sep

                                  [?]feinstruktur » 🌐
                                  @feinstruktur@mastodon.social

                                  Good morning Faes!
                                  Another Monday, another week. Celebrating with lots of ☕ ☕ ☕ & whimsical music by Telemann: Concerto in B minor for 2 Flutes, Bassoon, Strings & B.c TWV 53:h1
                                  youtu.be/dxr8Oyk5Pbk

                                    [?]The Guardian Feeds » 🤖 🌐
                                    @guardianfeeds@rssfeed.media

                                    ‘Will I screw this up?’ How I played timpani for the Philharmonia Orchestra – with no drumming experience
                                    By Tim Jonze

                                    He hasn’t seen the score and can’t actually play his instrument. But with the help of a virtual headset, our writer joins the revered orchestra for the rollicking finale of Rossini’s William Tell Overture

                                    theguardian.com/music/2026/sep

                                      [?]Shawn Webb [He/Him] » 🌐
                                      @lattera@bsd.network

                                      [?]R.L. Dane :Debian: :FreeBSD: :OpenBSD: :NetBSD:🍵 :MiraLovesYou: [he/him/my good fellow] » 🌐
                                      @rl_dane@polymaths.social

                                      New #blog #post: Gratitude Day 6: Music

                                      https://rldane.space/gratitude-day-6-music.html

                                      435 words

                                      This was another one that was lot of fun to write. :)

                                      cc: my wonderful #chorus: @joel @dm @sotolf @thedoctor @pixx @orbitalmartian @adamsdesk @krafter @roguefoam @clayton @giantspacesquid @stfn

                                      (I will happily add/remove you from the chorus upon request! :)

                                      #rlDaneWriting #blost #SeptemberTheme #SeptemberBloggingTheme #SepThemeBear #SeptemberGratitude #gratitude #thankfulness #music

                                        [?]The Guardian Feeds » 🤖 🌐
                                        @guardianfeeds@rssfeed.media

                                        RLPO/Manze review – all-British Prom features fiery theatrics and cheeky subversion
                                        By Clive Paget

                                        Royal Albert Hall, LondonSmartly programmed Prom included a nimble rendition of Britten’s Violin Concerto, the visionary masterpiece that is Vaughan Williams’s Ninth, and the world premiere of Carmel Smickersgill’s A Brick Thrown With Love

                                        theguardian.com/music/2026/sep

                                          [?]Greg Wilson » 🌐
                                          @gvwilson@mastodon.social

                                          [?]The Global Voice » 🌐
                                          @TheGlobalVoice@mastodon.social

                                          Coming up in the next few hours:
                                          00:00UTC The Global Classical Hour by Shawn Klein: An hour of global .
                                          01:00UTC Radio Ecoshock 🔁: , , the , . .
                                          02:00UTC L.A. Connection: Emperor Rosko your transatlantic dj. , , .
                                          04:00UTC The Country Jamboree: Mike & Maureen have your & .
                                          05:00UTC The Memory Lane Show🔁 from the good old days with Big Bob. .

                                            [?]feinstruktur » 🌐
                                            @feinstruktur@mastodon.social

                                            Good morning, Flowers!
                                            It will be a stormy Saturday, coping by drinking lots of ☕ ☕ ☕ & listening to calm by G.P.Telemann: Concerto in A minor for 2 Recorders, Strings & B.c TWV 52:a2
                                            youtu.be/YcqI_FuK10M

                                              [?]Greg Wilson » 🌐
                                              @gvwilson@mastodon.social

                                              Chris Smither: "Leave the Light On" youtube.com/watch?v=THQO-JLjMnA

                                                [?]The Guardian Feeds » 🤖 🌐
                                                @guardianfeeds@rssfeed.media

                                                Berlin Philharmonic/ Petrenko/ Hadelich review – flawless musical beauty
                                                By Flora Willson

                                                Royal Albert Hall, LondonIn their second Proms concert, the Berlin Phil brought Beethoven’s Violin Concerto (with Augustin Hadelich the virtuosic and breathtaking soloist), and a detailed and compelling take on Scriabin’s third symphony

                                                theguardian.com/music/2026/sep

                                                  [?]The Guardian Feeds » 🤖 🌐
                                                  @guardianfeeds@rssfeed.media

                                                  Vista, Saarikoski Songs, Three Preludes album review – Saariaho’s iridescent visions evocatively rendered
                                                  By Clive Paget

                                                  Komsi/Nyman/BBC Symphony Orchestra/Oramo(Ondine)Three works by the idiosyncratic Finnish composer who died in 2023 are recorded for the first time

                                                  theguardian.com/music/2026/sep

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