schmonz.com is a Fediverse instance that uses the ActivityPub protocol. In other words, users at this host can communicate with people that use software like Mastodon, Pleroma, Friendica, etc. all around the world.

This server runs the snac software and there is no automatic sign-up process.

Search results for tag #music

[?]The Guardian Feeds » 🤖 🌐
@guardianfeeds@rssfeed.media

John Tilbury: At Home album review – an eclectic and extraordinary treasure trove
By Clive Paget

John Tilbury(Another Timbre, four CDs)The great interpreter of Morton Feldman and a towering figure of experimental music signs off with four discs of intimate, revelatory recordings

theguardian.com/music/2026/jul

    [?]Shawn Webb [He/Him] » 🌐
    @lattera@bsd.network

    [?]Shawn Webb [He/Him] » 🌐
    @lattera@bsd.network

    [?]The Guardian Feeds » 🤖 🌐
    @guardianfeeds@rssfeed.media

    BBCSSO/Wigglesworth / Booth review – Brett Dean’s song cycle is rich and strange
    By Alexandra Coghlan

    Royal Albert HallSoprano Clare Booth, Ryan Wigglesworth and the BBC Scottish gave the world premiere of Dean’s theatrical and engaging The World’s Wife. Elgar’s 1st didn’t quite achieve lift-off but Weir’s Moon and Star had sweep and shimmer

    theguardian.com/music/2026/jul

      [?]The Guardian Feeds » 🤖 🌐
      @guardianfeeds@rssfeed.media

      ‘It’s the Meryl Streep of the orchestra’: why cinema loves the cello
      By Jonathan Wells

      From Audrey Hepburn to Pedro Pascal, cellists have become a movie shorthand for sensitivity, intensity and emotional depth. But why has Hollywood turned one orchestral instrument into a character in its own right?

      theguardian.com/film/2026/jul/

        [?]The Guardian Feeds » 🤖 🌐
        @guardianfeeds@rssfeed.media

        Die Fledermaus review – Strauss staging has flourish and froth, but not enough fizz
        By Clive Paget

        Opera Holland Park, London Liam Steel relocates Johann Strauss’s operetta to London 1929 to create the feel of a Noël Coward-style farce. Rebecca Bottone, Olivia Carrell and Clare Presland shine amid a strong cast.

        theguardian.com/music/2026/jul

          [?]The Guardian Feeds » 🤖 🌐
          @guardianfeeds@rssfeed.media

          Giordano: Marina album review – a fascinating resurrection of an unsung early opera
          By Clive Paget

          Buratto/De Tommaso/Orchestra I Pomeriggi Musicali/Milletarì(Decca)The long-lost score, finally premiered 138 years after it was written, brims with melodic promise despite its dramatic shortcomings

          theguardian.com/music/2026/jul

            [?]The Guardian Feeds » 🤖 🌐
            @guardianfeeds@rssfeed.media

            Freudian trip: how psychoanalysis and skydiving are helping Aurora orchestra open up Mahler’s First
            By Jane Mitchell

            When Mahler premiered his first symphony, it left audiences baffled. For their latest Prom, Aurora are bringing it to life – with the help of Sigmund Freud

            theguardian.com/music/2026/jul

              [?]The Guardian Feeds » 🤖 🌐
              @guardianfeeds@rssfeed.media

              BBCSO/Oramo review – Turnage’s satisfying and clever Festen Suite makes UK debut
              By Alexandra Coghlan

              Royal Albert Hall, LondonThe festering atmosphere of Thomas Vinterberg’s film and its celebrated opera adaptation lingers in this vivid orchestration, a foil to Sibelius’s cathartic second symphony

              theguardian.com/music/2026/jul

                [?]The Guardian Feeds » 🤖 🌐
                @guardianfeeds@rssfeed.media

                I thought Nolan’s Odyssey was an epic bore. If you want Greek myths brought to life, try the thrill of opera!
                By Tom Service

                Composers from Purcell to Birtwistle have created passionate dramas inspired by ancient Greek stories – and none of them require you to sit through three hours of solemn spectacle without an interval

                theguardian.com/music/2026/jul

                  [?]Deborah Pickett » 🌐
                  @futzle@old.mermaid.town

                  For my new followers: this year I finished designing and sewing this series of four wall quilts inspired by the four movements in Edvard Grieg's Peer Gynt symphonic suite (you absolutely know the tunes for #1 and #4). One shape per bar of music, the chord determines the colour. Details at my blog: icemoonprison.com/blog/?p=282 @fiberarts@a.gup.pe

                  "Morning Mood". Rectangular wall quilt with hexagonal tiles laid out to resemble colourful clouds against a blue sky. Some lapel pins dot the background.

                  Alt..."Morning Mood". Rectangular wall quilt with hexagonal tiles laid out to resemble colourful clouds against a blue sky. Some lapel pins dot the background.

                  "Ase's Death". Rectangular wall quilt with several horizontal bands in colourful gradients. They are organized to suggest a phone text conversation.

                  Alt..."Ase's Death". Rectangular wall quilt with several horizontal bands in colourful gradients. They are organized to suggest a phone text conversation.

                  "Anitra's Dance". Rectangular wall quilt made of tiled triangles. They are arranged to fill a spacj with a meandering line. There are triangular rhinestones and there is wavy metallic embroidery.

                  Alt..."Anitra's Dance". Rectangular wall quilt made of tiled triangles. They are arranged to fill a spacj with a meandering line. There are triangular rhinestones and there is wavy metallic embroidery.

                  "In the Hall of the Mountain King". Rectangular wall quilt which looks a bit like a step pyramid, or maybe a top-down view of a xylophone. Each row gets progressively bigger and brighter until there are starburst explosions in the last three rows.

                  Alt..."In the Hall of the Mountain King". Rectangular wall quilt which looks a bit like a step pyramid, or maybe a top-down view of a xylophone. Each row gets progressively bigger and brighter until there are starburst explosions in the last three rows.

                    🗳

                    [?]AI6YR Ben » 🌐
                    @ai6yr@m.ai6yr.org

                    Another random poll, on music. Although, not sure if this will be biased by the Fediverse specifically attracting specific kind of people.

                    The question is, how many people listen to music that they developed a taste for in their youth (usually high school and college age?), vs. later, vs. always changing?

                    (My music tastes drift constantly, but my extended family's taste in music is fixed and does not change, is why I ask.)

                    I listen primarily to music from my youth:0
                    I primarily listen to new-to-me music:0
                    I listen to both:0
                    Something else:0

                      [?]Greg Wilson » 🌐
                      @gvwilson@mastodon.social

                      Tuatara's "Trading With the Enemy" is still one of my all-time favorite albums. youtube.com/watch?v=ekpS4SfuBx

                        [?]The Guardian Feeds » 🤖 🌐
                        @guardianfeeds@rssfeed.media

                        LPO/Gardner review – squirrels, shepherdesses and a tumultuous storm
                        By Clive Paget

                        Royal Albert Hall, London From Kristine Tjøgersen’s tranquil woodland reverie to Canteloube’s Auvergne and Strauss’s thunderous mountainscape, the London Philharmonic – with Louise Alder – conjured colours and brought drama to this vivid programme

                        theguardian.com/music/2026/jul

                          [?]Nicolas Hussein 🎶🎻🏳️‍🌈 » 🌐
                          @NicolasHussein@mastodon.online

                          [#rediffusion] Redécouvrez ce grand classique de , orchestré par moi-même et interprété par Jean-Yves Malmasson et son ! Claude Debussy, Arabesque n° 1 (orchestration de Nicolas Hussein) makertube.net/w/5mvp6ecWoLUT4z Merci d'avance pour vos vues / likes / abonnements / partages 😍🙏🎶🎻 @music

                            [?]Misty [she/her] » 🌐
                            @misty@digipres.club

                            Recommendation to people who enjoy Kukeiha Club's fusion jazz: try Vancouver band Skywalk youtube.com/watch?v=b-oFttPvMBM

                              [?]Ami Angelwings » 🌐
                              @ami_angelwings@urusai.social

                              It's Monday, which means it's time for where I pick the mood and you pick a song or songs you think fits the mood!

                              Today's mood is going to be "wobbly".

                              The song or songs can be about wobbling or sound wobbly or be when the artist or band's career or lives were wobbling or whatever you want! It's up to you to interpret the mood!

                              Be sure to include the hashtag and the mood "wobbly".

                              If you can, include a link to the song so others can hear too!

                                [?]The Guardian Feeds » 🤖 🌐
                                @guardianfeeds@rssfeed.media

                                Rienzi review – Wagner’s early opera makes its Bayreuth debut as a frenzied contemporary election drama
                                By Flora Willson

                                Bayreuth festival theatre, BayreuthAlexandra Szemerédy and Magdolna Parditka’s production swaps 14th-century Rome for an abstract near future in an over-busy staging . Jennifer Holloway’s Adriano is a standout in a strong cast

                                theguardian.com/music/2026/jul

                                  [?]The Guardian Feeds » 🤖 🌐
                                  @guardianfeeds@rssfeed.media

                                  CBSO/Yamada review – Poulenc and Adams pairing is stylish, witty and thrilling
                                  By Alexandra Coghlan

                                  Royal Albert Hall, LondonLucas and Arthur Jussen brought fun and energy to Poulenc’s Concerto for Two Pianos, and John Adams’ Harmonium was monumental and moving in the City of Birmingham Orchestra and Chorus’ Prom under their chief conductor Kazuki Yamada

                                  theguardian.com/music/2026/jul

                                    [?]AI6YR Ben » 🌐
                                    @ai6yr@m.ai6yr.org

                                    Random/clueless LP/music question:

                                    How do you file/organize your LPs?

                                    Alphabetically?
                                    By Genre?
                                    By Color?
                                    Favorites vs. not favorites?

                                    (assuming you only have a small collection, of course).

                                    (also, impossible to read the edges of most of the albums I have. You just pull them out until you get to the one you're looking for?)

                                      [?]The Guardian Feeds » 🤖 🌐
                                      @guardianfeeds@rssfeed.media

                                      The Oresteia review – this body-shaking, blood-soaked opera is exhilaratingly wild
                                      By Dee Jefferson

                                      Sydney Chamber Opera, CarriageworksSix singers put not only their vocal cords but their bodies on the line in a physically demanding performance of Liza Lim’s aurally challenging opera

                                      theguardian.com/music/2026/jul

                                        [?]Greg Wilson » 🌐
                                        @gvwilson@mastodon.social

                                        The Tragically Hip: "Bobcaygeon" youtube.com/watch?v=o6QDjDPRF5c

                                          [?]Greg Wilson » 🌐
                                          @gvwilson@mastodon.social

                                          [?]Greg Wilson » 🌐
                                          @gvwilson@mastodon.social

                                          The Tragically Hip: "Ahead by a Century" youtube.com/watch?v=QE2joQsWXJg I've never understood this song but it always pulls at my heart.

                                            [?]𝙹𝚘𝚎𝚕 𝙲𝚊𝚛𝚗𝚊𝚝 ♑️🤪 » 🌐
                                            @joel@gts.tumfatig.net

                                            🦄 🤘 You’re an angry #MetalHead person but you’re fighting this whole shit while riding a purple unicorn and throwing flowers at people’s face! It’s not Sad But True!

                                            https://youtu.be/7ykY9FJLnoA

                                            #Metallica #Music #Cover #melodicka_bros

                                              [?]The Guardian Feeds » 🤖 🌐
                                              @guardianfeeds@rssfeed.media

                                              Three Choirs festival review – impressive opening salvo full of crackling energy and exuberant fireworks
                                              By Clive Paget

                                              Gloucester CathedralA packed crowd greeted this year’s curtain raiser for a delightfully Tiggerish premiere of Gavin Higgins’ Fanfare Americana, an exhilarating Elgar’s First and a joyful rendition of Walton’s Belshazzar’s Feast

                                              theguardian.com/music/2026/jul

                                                [?]Tionisla » 🌐
                                                @Tionisla@mastodon.bsd.cafe

                                                Title: Dawn
                                                Composer: @h0ffman
                                                Format: Amiga, Protracker, 8bit, 4CH Mod.

                                                made for Revision Party 2026

                                                invidious.tiekoetter.com/watch

                                                  [?]The Guardian Feeds » 🤖 🌐
                                                  @guardianfeeds@rssfeed.media

                                                  Sinfonia of London/Wilson review – night of Technicolor masterpieces from one of the finest orchestras on the planet
                                                  By Clive Paget

                                                  Royal Albert Hall, LondonVerdi’s La Forza del Destino felt vital, cellist Jonathan Aasgaard was immaculate in Walton’s Concerto but it was John Wilson’s wizardly conducting through Respighi’s Roman Trilogy that brought the audience to their feet

                                                  theguardian.com/music/2026/jul

                                                    [?]Misty [she/her] » 🌐
                                                    @misty@digipres.club

                                                    [?]Steve's Place » 🌐
                                                    @steter@mastodon.stevesworld.co

                                                    The cool cat version of Summertime:

                                                    youtube.com/watch?v=lbnibpGp2Bw

                                                      [?]The Global Voice » 🌐
                                                      @TheGlobalVoice@mastodon.social

                                                      Coming up in the next few hours:
                                                      00:00UTC The Global Classical Hour by Shawn Klein: An hour of global .
                                                      01:00UTC Radio Ecoshock 🔁: , , the , . .
                                                      02:00UTC L.A. Connection: Emperor Rosko your transatlantic dj. , , .
                                                      04:00UTC The Country Jamboree: Mike & Maureen have your & .
                                                      05:00UTC The Memory Lane Show🔁 from the good old days with Big Bob. .

                                                        [?]Greg Wilson » 🌐
                                                        @gvwilson@mastodon.social

                                                        [?]Greg Wilson » 🌐
                                                        @gvwilson@mastodon.social

                                                        Samuel Barber: "Adagio for Strings" youtube.com/watch?v=izQsgE0L450

                                                          [?]𝙹𝚘𝚎𝚕 𝙲𝚊𝚛𝚗𝚊𝚝 ♑️🤪 » 🌐
                                                          @joel@gts.tumfatig.net

                                                          Wildes Holz: Pachelbel meets Greenday, a canon in a basketcase 🤘 🪈

                                                          #music #classical #PunkRock

                                                          https://youtu.be/KIa9CLw-BTQ

                                                            [?]Stefano on littleFedi » 🌐
                                                            @stefano@rpi0w.stefanomarinelli.it

                                                            [?]The Guardian Feeds » 🤖 🌐
                                                            @guardianfeeds@rssfeed.media

                                                            John McCabe: Symphonies 2 & 3 and Cello Concerto album review – writing of enormous scope and colour
                                                            By Erica Jeal

                                                            BBCSSO/Woods/WallfischSignumThe late pianist and composer deserves a wider audience for the edgy, lucid soundworld of his compositions

                                                            theguardian.com/music/2026/jul

                                                              [?]The Guardian Feeds » 🤖 🌐
                                                              @guardianfeeds@rssfeed.media

                                                              Beethoven: The Last Three Sonatas/Mitsuko Uchida album review – the music emerges as if new
                                                              By Erica Jeal

                                                              DeccaThere are no major surprises in this live recording, just the simple but sublime sense that the music is being handed from composer, through pianist, to us

                                                              theguardian.com/music/2026/jul

                                                                Back to top - More...