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Search results for tag #wip

[?]Sarah Sammis [They/She] » 🌐
@artbysarahsammis@socialbc.ca

Mind Palace ... I'm one hour into drawing / tracing to make the outline. This will be my road map for when I transfer the design to a wood panel. I'm not done drawing the outline but my eyes can only handle an hour at a go.

With the time it took to find the images and create the collage, I'm already 5 hours into this project.

A 2/3 complete black outline of a chicken headed woman in a vintage skirt suit sitting in a leather arm chair. Below her are fish swimming through the floor. A short stair case leads to a bed. Above the bed there are fireworks. Curtains reveal a yet to be drawn window and outside view.

Alt...A 2/3 complete black outline of a chicken headed woman in a vintage skirt suit sitting in a leather arm chair. Below her are fish swimming through the floor. A short stair case leads to a bed. Above the bed there are fireworks. Curtains reveal a yet to be drawn window and outside view.

    [?]Sarah Sammis [They/She] » 🌐
    @artbysarahsammis@socialbc.ca

    Mind Palace ... The drawing/tracing took two hours. That means I'm already six hours into the project.

    Next step: color test which I do digitally.

    Fully outlined chicken headed woman in a 1960s skirt suit. She's sitting in a leather arm chair in a room with a bed on  platform, a floor swarming with fish, and a ceiling full of fireworks. Outside one can see a barn.

    Alt...Fully outlined chicken headed woman in a 1960s skirt suit. She's sitting in a leather arm chair in a room with a bed on platform, a floor swarming with fish, and a ceiling full of fireworks. Outside one can see a barn.

      [?]Sarah Sammis [They/She] » 🌐
      @artbysarahsammis@socialbc.ca

      Another hour ... laying out the areas of colour digitally.

      I'm now 7 hours into what will ultimately be an acrylic painting on wood.

      Just the background coloured in flat geometric areas: red for the ceiling, red, salmon and tan for the curtains. Light blue for the sky. Tan for the floor, outside ceiling. Salmon again for the fish floor. An orange for the bed area save for an area of yellow for the lamp. The seated figure is still white with black outlines.

      Alt...Just the background coloured in flat geometric areas: red for the ceiling, red, salmon and tan for the curtains. Light blue for the sky. Tan for the floor, outside ceiling. Salmon again for the fish floor. An orange for the bed area save for an area of yellow for the lamp. The seated figure is still white with black outlines.

      Now the figure is coloured in too. Her suit is a similar red to the ceiling. Her body is  lighter yellow to the lamp area. The seat is a neutral colour, save for the reddish areas for the wood.

      Alt...Now the figure is coloured in too. Her suit is a similar red to the ceiling. Her body is lighter yellow to the lamp area. The seat is a neutral colour, save for the reddish areas for the wood.

        [?]Sarah Sammis [They/She] » 🌐
        @artbysarahsammis@socialbc.ca

        I'm loosely adding details to this digital mock-up. I probably won't start actually painting this piece until January.

        Chicken headed woman in a vintage red skirt suit sitting in a room with a bed, fireworks ceiling, and a window with a view of barn.

        Alt...Chicken headed woman in a vintage red skirt suit sitting in a room with a bed, fireworks ceiling, and a window with a view of barn.

          [?]Dr Ro Smith » 🌐
          @Rhube@wandering.shop

          This is where I got to with the dragon picture yesterday. The sky still needs a little work, but it's getting there. Strategically positioned clouds help cover where the paint just won't behave 😅

          A drawing of a dragon against a sunset.

          Alt...A drawing of a dragon against a sunset.

            [?]Sarah Sammis [They/She] » 🌐
            @artbysarahsammis@socialbc.ca

            I've started on my next 2x2 foot painting. This began as a digital collage of some vintage photographs I own. Now I'm attempting to paint it.

            I started by playing down pages of carbon paper and gluing my enlarged outline over it. Then tracing with an orange pen so I could see my work.

            Now I am slowly darkening the outline with burnt umber paint before I paint my base colour glaze.

            Close up of a chicken headed bridesmaid, partially done in orange ink showing where I have traced.

            Alt...Close up of a chicken headed bridesmaid, partially done in orange ink showing where I have traced.

            The entire traced outline now pulled off the wood panel.

            Alt...The entire traced outline now pulled off the wood panel.

            The wood panel about 2/3 painted with burnt umber to bring out the outline so that it will show through the translucent glazing.

            Alt...The wood panel about 2/3 painted with burnt umber to bring out the outline so that it will show through the translucent glazing.

              [?]Sarah Sammis [They/She] » 🌐
              @artbysarahsammis@socialbc.ca

              I don't normally work "after hours" (meaning when my family comes home) but this piece is under my skin and I had get the outline and glaze down.

              Questions? Please ask!

              Square painting with an outline of a bride and her three attendants posing in their dresses before Niagara Falls. The outline is painted in burnt umber, a dark chocolatey brown.

              Alt...Square painting with an outline of a bride and her three attendants posing in their dresses before Niagara Falls. The outline is painted in burnt umber, a dark chocolatey brown.

              Same piece but now it's covered in a layer of translucent fluorescent orange. It will fluoresce under black light.

              Alt...Same piece but now it's covered in a layer of translucent fluorescent orange. It will fluoresce under black light.

                [?]Sarah Sammis [They/She] » 🌐
                @artbysarahsammis@socialbc.ca

                I got up early today because the muse is a harsh mistress and I had things to work on.

                Here we are at 8 hours of work on "Niagara Falls Wedding." That translates to about 30 minutes of mixing paint pots of colours I'll be using on this piece and 30 minutes of painting.

                The rest of the day spent on watercolours, business stuff, and working with a client.

                Close up of the panel. Top half is painted in shades of pinks, browns, ochres and grays to give the sense of water spray lit by coloured lights at night. The bottom half is still the bright orange with brown outlines.

                Alt...Close up of the panel. Top half is painted in shades of pinks, browns, ochres and grays to give the sense of water spray lit by coloured lights at night. The bottom half is still the bright orange with brown outlines.

                The full piece showing that the pink and brown strip at the top is now twice as tall and is giving more of a sense of a watery horizon.

                Alt...The full piece showing that the pink and brown strip at the top is now twice as tall and is giving more of a sense of a watery horizon.

                Same view but shot under natural light to better show the subtle shifts in colours.

                Alt...Same view but shot under natural light to better show the subtle shifts in colours.

                  [?]Sarah Sammis [They/She] » 🌐
                  @artbysarahsammis@socialbc.ca

                  I worked more on the background today. Here are some close-ups of the areas I painted.

                  The left side showing the horseshoe falls part of Niagara Falls light up with pink and purple lights.

                  Alt...The left side showing the horseshoe falls part of Niagara Falls light up with pink and purple lights.

                  The middle of the canvas showing a pink part of the falls between two of the heads.

                  Alt...The middle of the canvas showing a pink part of the falls between two of the heads.

                  Another look at the pink middle bit of the falls.

                  Alt...Another look at the pink middle bit of the falls.

                  Right side showing the Canada side of the falls. Pinks, purples, Van Dyke brown, and ochre.

                  Alt...Right side showing the Canada side of the falls. Pinks, purples, Van Dyke brown, and ochre.

                    [?]Sarah Sammis [They/She] » 🌐
                    @artbysarahsammis@socialbc.ca

                    Here's where I am after 9 hours. I need to finish before November.

                    Niagara Falls in pinks and purples behind the bridal party.

                    Alt...Niagara Falls in pinks and purples behind the bridal party.

                      [?]Sarah Sammis [They/She] » 🌐
                      @artbysarahsammis@socialbc.ca

                      I worked another hour on this piece. I'm in the process of laying down the base colour for the four figures. I'll need another hour to finish the laying down of the colour. The idea is to get the tones down to being layering the actual colours and details over it.

                      Half of the figures are now roughly painted in a purple monochrome tonal study. This version is shot under a white light.

                      Alt...Half of the figures are now roughly painted in a purple monochrome tonal study. This version is shot under a white light.

                      Same amount of work but shut under natural light.

                      Alt...Same amount of work but shut under natural light.

                        [?]Sarah Sammis [They/She] » 🌐
                        @artbysarahsammis@socialbc.ca

                        Niagara Falls Wedding - 11 hours of work. The base colours for the wedding part are down. Now begins the LONG journey of painting their dresses.

                        I'm honestly surprised it's been 11 hours already. I'm having so much fun with this piece.

                        Now it's a rather abstract piece showing the horseshoe falls (more realistically rendered than the foreground) with four loosely painted figures in dresses, hats and veils. The middle figure is the bride being fitted with her garter.

                        Alt...Now it's a rather abstract piece showing the horseshoe falls (more realistically rendered than the foreground) with four loosely painted figures in dresses, hats and veils. The middle figure is the bride being fitted with her garter.

                          [?]Sarah Sammis [They/She] » 🌐
                          @artbysarahsammis@socialbc.ca

                          Twelve hours of work now. It was one of those days where I had to scrape off my work and move things around. The hat and veil on the far right maid was just WRONG. That's the fun of putting a chicken head where a human head was.

                          The right most bridesmaid now has the start of a head painted in sienna, ochre, hansa yellow, and other colours.

                          Alt...The right most bridesmaid now has the start of a head painted in sienna, ochre, hansa yellow, and other colours.

                            [?]Sarah Sammis [They/She] » 🌐
                            @artbysarahsammis@socialbc.ca

                            I don't typically paint on the weekends but ...
                            - I had the living room to myself
                            - I'm leaving for a fortnight long vacation
                            - I'm on a deadline

                            The three figures in the background now have the starts of their chicken heads. The one on the left is a white feathered chicken. The bride and the other maid are brown chickens. This photo shot under a bright white light.

                            Alt...The three figures in the background now have the starts of their chicken heads. The one on the left is a white feathered chicken. The bride and the other maid are brown chickens. This photo shot under a bright white light.

                            The three figures in the background now have the starts of their chicken heads. The one on the left is a white feathered chicken. The bride and the other maid are brown chickens. This photo shot in sunlight.

                            Alt...The three figures in the background now have the starts of their chicken heads. The one on the left is a white feathered chicken. The bride and the other maid are brown chickens. This photo shot in sunlight.

                              [?]Sarah Sammis [They/She] » 🌐
                              @artbysarahsammis@socialbc.ca

                              I should be...
                              - doing my laundry
                              - packing

                              Instead... I worked another hour on what I'm now calling "Pecking Order." My 14th hour I spent on the foreground bridesmaid.

                              A close up showing just the head I worked on. Painted with phthalo blue, unbleached titanium, bone black, cadmium orange deep, raw sienna, Van Dyke brown hue, Titian green light, and quinacridone magenta

                              Alt...A close up showing just the head I worked on. Painted with phthalo blue, unbleached titanium, bone black, cadmium orange deep, raw sienna, Van Dyke brown hue, Titian green light, and quinacridone magenta

                              Full view showing the four chicken heads now with their first layer of actual colour. Photographed with the ring light on.

                              Alt...Full view showing the four chicken heads now with their first layer of actual colour. Photographed with the ring light on.

                              Same amount of work but photographed with natural light.

                              Alt...Same amount of work but photographed with natural light.

                                [?]Sarah Sammis [They/She] » 🌐
                                @artbysarahsammis@socialbc.ca

                                I'm home and it's finally cool enough to work on this painting again. I'm 15 hours into the piece. I've lain down the first layer of the wedding dress.

                                An H frame easel with a 2x2 foot painting of three brides maids and the bride. They're posing before Niagara Falls. The painting is a lot of pink and purple but once I get the bridesmaids' dresses done there will be more yellow ochre.

                                Alt...An H frame easel with a 2x2 foot painting of three brides maids and the bride. They're posing before Niagara Falls. The painting is a lot of pink and purple but once I get the bridesmaids' dresses done there will be more yellow ochre.

                                  [?]Sarah Sammis [They/She] » 🌐
                                  @artbysarahsammis@socialbc.ca

                                  I am half way through hour 16. Painted a tiara and some lace.

                                  Detail shot of the chicken bride with a pearl tiara and floral lace across her chest.

                                  Alt...Detail shot of the chicken bride with a pearl tiara and floral lace across her chest.

                                    [?]Sarah Sammis [They/She] » 🌐
                                    @artbysarahsammis@socialbc.ca

                                    Pecking Order - 16 hours now. I'm starting to get the basic colours down for the bridesmaids' dresses.

                                    The bride now has a pearl tiara and lace at the top of her bodice. The bridesmaid to the left now is in a copper coloured dress. More layers of details and glazing needed.

                                    Alt...The bride now has a pearl tiara and lace at the top of her bodice. The bridesmaid to the left now is in a copper coloured dress. More layers of details and glazing needed.

                                      [?]Sarah Sammis [They/She] » 🌐
                                      @artbysarahsammis@socialbc.ca

                                      Worked an hour this morning while the light was good. Can't work any more on it today as we're having a planned power outage to upgrade the hydro service (which isn't hydro where I am... it's actually solar and wind mostly). But the point is, my house abuts a hill on the southern side, so natural light is fleeting.

                                      All of the bridesmaids dresses are a coppery colour now. Many more layers of glazing needed but my next step is to work on the border areas between background and foreground. More contrast. Colour adjustments. Etc.

                                      Alt...All of the bridesmaids dresses are a coppery colour now. Many more layers of glazing needed but my next step is to work on the border areas between background and foreground. More contrast. Colour adjustments. Etc.

                                        [?]Sarah Sammis [They/She] » 🌐
                                        @artbysarahsammis@socialbc.ca

                                        19 hours. This session spent on the wedding dress, hands, and the face of the bridesmaid on the right.

                                        There's lacework now on the bride's arm. The bridesmaid on the right has more detail in her eye and her beak is better shaped. There are more folds to the bride's skirt. This photo is shot under the white light I paint with.

                                        Alt...There's lacework now on the bride's arm. The bridesmaid on the right has more detail in her eye and her beak is better shaped. There are more folds to the bride's skirt. This photo is shot under the white light I paint with.

                                        Same amount of changes but photographed under natural light. The edges are less jarring.

                                        Alt...Same amount of changes but photographed under natural light. The edges are less jarring.

                                          [?]Sarah Sammis [They/She] » 🌐
                                          @artbysarahsammis@socialbc.ca

                                          Pecking Order - 21 hours of work. I have started changing the bridesmaid on the left. I also worked on the background.

                                          The one that had a white fluffy head is now brown and ochre like the remaining hens.

                                          Alt...The one that had a white fluffy head is now brown and ochre like the remaining hens.

                                            [?]David McMullin » 🌐
                                            @mcmullin@musicians.today

                                            Curating some “featured hashtags” recently made me realize I haven’t posted about my choral/orchestral work in progress in ages. Mostly because it hasn’t really been in progress for a while. I finished composing the first main 20-minute section about a year ago, and the orchestration and score for that were done by the end of 2025. (Not counting the minor engraving corrections I notice every time I look at it.)

                                            1/?

                                              [?]David McMullin » 🌐
                                              @mcmullin@musicians.today

                                              Here are the front pages of the score, including title page, contents, instrumentation, performance instructions, program note, and texts. (Full text of each in image alt texts.)

                                              David McMullin 

The Luminous Mysteries 

for choir and orchestra 

Part I 
Introduction & First Decade: 
The Baptism of Christ 

Full Score 

2025

                                              Alt...David McMullin The Luminous Mysteries for choir and orchestra Part I Introduction & First Decade: The Baptism of Christ Full Score 2025

                                              Contents 

I. Creed & Introduction
Apostles’ Creed
Our Father
Hail Mary (1)
Hail Mary (2) 
Hail Mary (3)
Glory Be
Oh My Jesus

II. The Baptism of Christ
Orchestral Interlude
Our Father
Hail Mary (1)
Hail Mary (2) 
Hail Mary (3)
Hail Mary (4)
Hail Mary (5)
Hail Mary (6)
Hail Mary (7)
Hail Mary (8)
Hail Mary (9)
Hail Mary (10)
Glory Be
Oh My Jesus

Instrumentation 

Flute 
Oboe 
Clarinet in B♭
Bassoon 

Horn in F 
Flugelhorn (or trumpet) in B♭
Trombone 
Bass trombone 

Percussion (1 player): 
 Marimba 
 Vibraphone 
Harp 

SATB Choir, with solo parts for at least 6 singers (SSSATB) 

Violins I 
Violins II 
Violas 
Cellos 
Contrabasses 

Transposed score 
Duration: approximately 20 minutes 
Copyright 2025 David McMullin (ASCAP) 
For parts and performing materials, contact David McMullin: 
music@mcmullin.co | +1 617-901-1677 | david-mcmullin.com 
P.O. Box 961976, Boston MA 02196 USA

                                              Alt...Contents I. Creed & Introduction Apostles’ Creed Our Father Hail Mary (1) Hail Mary (2) Hail Mary (3) Glory Be Oh My Jesus II. The Baptism of Christ Orchestral Interlude Our Father Hail Mary (1) Hail Mary (2) Hail Mary (3) Hail Mary (4) Hail Mary (5) Hail Mary (6) Hail Mary (7) Hail Mary (8) Hail Mary (9) Hail Mary (10) Glory Be Oh My Jesus Instrumentation Flute Oboe Clarinet in B♭ Bassoon Horn in F Flugelhorn (or trumpet) in B♭ Trombone Bass trombone Percussion (1 player): Marimba Vibraphone Harp SATB Choir, with solo parts for at least 6 singers (SSSATB) Violins I Violins II Violas Cellos Contrabasses Transposed score Duration: approximately 20 minutes Copyright 2025 David McMullin (ASCAP) For parts and performing materials, contact David McMullin: music@mcmullin.co | +1 617-901-1677 | david-mcmullin.com P.O. Box 961976, Boston MA 02196 USA

                                              Performance instructions 

Solo voice parts should be sung by members of the choir. They do not have to be consistently assigned, and may be distributed to as many or as few singers as the performers choose: each solo phrase or passage may be sung by anyone with a suitable voice for it. 

Accidentals apply throughout the measure, but may be repeated for clarity. Confirmatory natural signs are often shown in the score which do not appear in individual parts where there is no potential ambiguity. Unless otherwise specified, single lines after divisi are unison tutti. On any tones sustained too long for a single bow stroke, strings should bow freely, not in unison. Orchestral dynamics are marked cautiously throughout. If balance with the choir can be maintained, the orchestra may use a wider dynamic range while preserving the indicated contours. 

Regarding spoken text in the Apostles’ Creed: The core sound from which the music gradually emerges should be that of an ordinary group of people praying together aloud. Each choir member should speak the text with their normal voice, accent and pronunciation. When speaking, do not be concerned about precise rhythmic unison, and do not enunciate or project in a theatrical manner—just say the words together. Spoken text is aligned with rests or notes in the staff to show where key syllables should fall with respect to the conductor’s beat, in order to pace the spoken parts in coordination with the sung parts and the orchestra. But do not chant in metrical rhythm or give special emphasis to downbeats. The priority is to speak the phrases in a natural way, even if you get a little ahead or behind. As the creed continues, speakers begin singing little by little until all are singing by the final words, “and life everlasting, Amen.” In the previous line (“…the communion of saints, the forgiveness of sins, the resurrection of the body…”), it may be necessary to pause between spoken clauses to stay on pace with the singing parts. 

Program note 

I like the spiritual idea of mystery—of something too profound to comprehend intellectually, which cannot be explained or grasped, only encountered and experienced. Music can be mysterious in that way. 

This 20-minute composition for choir and orchestra is the first in a series of works setting the complete prayers of the rosary. I carried the idea for this project in the back of my mind for at least 20 years before beginning to compose it. When the pandemic first hit, I found myself managing a confluence of serious health issues affecting my community and those close to me. In the clarity of that strange time, having narrowed our horizons to focus on simple survival at home, and with COVID raging through the world outside, something finally clicked, and in March 2020 I got started on The Luminous Mysteries. Today, the pandemic continues, but so do we. This piece is offered in gratitude for answered prayers. 

The rosary is a traditional scripture-based form of meditation, comprising many repetitions of simple prayers, typically counted using beads on a string. The prayers and beads are grouped into five "decades," each centered on ten repetitions of the Hail Mary. The constant gentle recitation of the same words is intended to induce a contemplative state, freeing the mind to engage with spiritual mysteries: each decade focuses on a 
specific biblical theme, idea or event with mysterious resonance. These are traditionally grouped as the Joyous, the Sorrowful, and the Glorious Mysteries. In 2002—the same year I married the love of my life, whose name means "Light"—Pope St. John Paul II proposed a fourth set: The Luminous Mysteries. 

This piece sings the introductory prayers and the first decade of The Luminous Mysteries. To evoke the mental state of divided attention that praying the rosary calls for, while the choir sings the cycles of repeating prayers, solo voices, representing our distracted, wandering, half-controlled attempts to contemplate the given mystery, arise from within the choir to sing words drawn from gospel passages related to The Baptism of Christ. Music for the four remaining Luminous Mysteries, of The Wedding at Cana, The Proclamation of the Kingdom, The 
Transfiguration, and The Eucharist, is yet to be composed. When complete, these will be performable either as self-contained compositions, or together with this as a set constituting a full-concert work. 

I think of music as a form of prayer, and I love how it can touch each listener differently, becoming meaningful by resonating uniquely with their own thoughts, ideas, and emotions. I invite you into this experience, and I hope it will—mysteriously—come alive for you.

                                              Alt...Performance instructions Solo voice parts should be sung by members of the choir. They do not have to be consistently assigned, and may be distributed to as many or as few singers as the performers choose: each solo phrase or passage may be sung by anyone with a suitable voice for it. Accidentals apply throughout the measure, but may be repeated for clarity. Confirmatory natural signs are often shown in the score which do not appear in individual parts where there is no potential ambiguity. Unless otherwise specified, single lines after divisi are unison tutti. On any tones sustained too long for a single bow stroke, strings should bow freely, not in unison. Orchestral dynamics are marked cautiously throughout. If balance with the choir can be maintained, the orchestra may use a wider dynamic range while preserving the indicated contours. Regarding spoken text in the Apostles’ Creed: The core sound from which the music gradually emerges should be that of an ordinary group of people praying together aloud. Each choir member should speak the text with their normal voice, accent and pronunciation. When speaking, do not be concerned about precise rhythmic unison, and do not enunciate or project in a theatrical manner—just say the words together. Spoken text is aligned with rests or notes in the staff to show where key syllables should fall with respect to the conductor’s beat, in order to pace the spoken parts in coordination with the sung parts and the orchestra. But do not chant in metrical rhythm or give special emphasis to downbeats. The priority is to speak the phrases in a natural way, even if you get a little ahead or behind. As the creed continues, speakers begin singing little by little until all are singing by the final words, “and life everlasting, Amen.” In the previous line (“…the communion of saints, the forgiveness of sins, the resurrection of the body…”), it may be necessary to pause between spoken clauses to stay on pace with the singing parts. Program note I like the spiritual idea of mystery—of something too profound to comprehend intellectually, which cannot be explained or grasped, only encountered and experienced. Music can be mysterious in that way. This 20-minute composition for choir and orchestra is the first in a series of works setting the complete prayers of the rosary. I carried the idea for this project in the back of my mind for at least 20 years before beginning to compose it. When the pandemic first hit, I found myself managing a confluence of serious health issues affecting my community and those close to me. In the clarity of that strange time, having narrowed our horizons to focus on simple survival at home, and with COVID raging through the world outside, something finally clicked, and in March 2020 I got started on The Luminous Mysteries. Today, the pandemic continues, but so do we. This piece is offered in gratitude for answered prayers. The rosary is a traditional scripture-based form of meditation, comprising many repetitions of simple prayers, typically counted using beads on a string. The prayers and beads are grouped into five "decades," each centered on ten repetitions of the Hail Mary. The constant gentle recitation of the same words is intended to induce a contemplative state, freeing the mind to engage with spiritual mysteries: each decade focuses on a specific biblical theme, idea or event with mysterious resonance. These are traditionally grouped as the Joyous, the Sorrowful, and the Glorious Mysteries. In 2002—the same year I married the love of my life, whose name means "Light"—Pope St. John Paul II proposed a fourth set: The Luminous Mysteries. This piece sings the introductory prayers and the first decade of The Luminous Mysteries. To evoke the mental state of divided attention that praying the rosary calls for, while the choir sings the cycles of repeating prayers, solo voices, representing our distracted, wandering, half-controlled attempts to contemplate the given mystery, arise from within the choir to sing words drawn from gospel passages related to The Baptism of Christ. Music for the four remaining Luminous Mysteries, of The Wedding at Cana, The Proclamation of the Kingdom, The Transfiguration, and The Eucharist, is yet to be composed. When complete, these will be performable either as self-contained compositions, or together with this as a set constituting a full-concert work. I think of music as a form of prayer, and I love how it can touch each listener differently, becoming meaningful by resonating uniquely with their own thoughts, ideas, and emotions. I invite you into this experience, and I hope it will—mysteriously—come alive for you.

                                              Prayers of the rosary 

Apostles’ Creed 

I believe in God, 
the Father almighty, 
Creator of heaven and earth, 
and in Jesus Christ, his only Son, our Lord, 
who was conceived by the Holy Spirit, 
born of the Virgin Mary, 
suffered under Pontius Pilate, 
was crucified, died and was buried; 
he descended into hell; 
on the third day he rose again from the dead; 
he ascended into heaven, 
and is seated at the right hand of 
God the Father almighty; 
from there he will come to judge the living 
and the dead. 
I believe in the Holy Spirit, 
the holy catholic church, 
the communion of saints, 
the forgiveness of sins, 
the resurrection of the body, 
and life everlasting. 
Amen. 

Our Father

Our Father, who art in heaven, 
hallowed be thy name; 
thy kingdom come; 
thy will be done on earth as it is in heaven. 
Give us this day our daily bread; 
and forgive us our trespasses 
as we forgive those who trespass against us; 
lead us not into temptation, 
but deliver us from evil. 
Amen.

Hail Mary 

Hail Mary, full of grace, the Lord is with thee. 
Blessed art thou among women, 
and blessed is the fruit of thy womb, Jesus. 
Holy Mary, Mother of God, 
pray for us sinners 
now and at the hour of our death. 
Amen. 

Glory Be (Doxology)

Glory be to the Father, and to the Son, 
and to the Holy Spirit; 
as it was in the beginning, is now, and ever shall be, 
world without end. 
Amen. 

Oh My Jesus (Fatima prayer) 

Oh my Jesus, 
forgive us our sins, 
save us from the fires of hell; 
lead all souls to Heaven, 
especially those in most need of thy mercy. 
Amen.

Gospel texts 
(quoted in whole or in part) 

In those days John the Baptist appeared, preaching in the desert of Judea and saying, “Repent, for the kingdom of heaven is at hand!” It was of him that the prophet Isaiah had spoken when he said: “A voice of one crying out in the desert, ‘Prepare the way of the Lord, make straight his paths.’” John wore clothing made of 
camel’s hair and had a leather belt around his waist. His food was locusts and wild honey. (Matthew, 3:1-4) 

I am baptizing you with water, for repentance, but the one who is coming after me is mightier than I. I am not worthy to carry his sandals. He will baptize you with the Holy Spirit and fire. (Matthew 3:11) 

Behold, the Lamb of God, who takes away the sin of the world. (John 1:29) 

I saw the Spirit come down like a dove from the sky and remain upon him. (John 1:32) 

You are my beloved Son; with you I am well pleased. (Mark 1:11, Luke 3:22) 

He was a burning and shining lamp, and for a while you were content to rejoice in his light. (John 5:35) 

(New American Bible, Revised Edition)

                                              Alt...Prayers of the rosary Apostles’ Creed I believe in God, the Father almighty, Creator of heaven and earth, and in Jesus Christ, his only Son, our Lord, who was conceived by the Holy Spirit, born of the Virgin Mary, suffered under Pontius Pilate, was crucified, died and was buried; he descended into hell; on the third day he rose again from the dead; he ascended into heaven, and is seated at the right hand of God the Father almighty; from there he will come to judge the living and the dead. I believe in the Holy Spirit, the holy catholic church, the communion of saints, the forgiveness of sins, the resurrection of the body, and life everlasting. Amen. Our Father Our Father, who art in heaven, hallowed be thy name; thy kingdom come; thy will be done on earth as it is in heaven. Give us this day our daily bread; and forgive us our trespasses as we forgive those who trespass against us; lead us not into temptation, but deliver us from evil. Amen. Hail Mary Hail Mary, full of grace, the Lord is with thee. Blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen. Glory Be (Doxology) Glory be to the Father, and to the Son, and to the Holy Spirit; as it was in the beginning, is now, and ever shall be, world without end. Amen. Oh My Jesus (Fatima prayer) Oh my Jesus, forgive us our sins, save us from the fires of hell; lead all souls to Heaven, especially those in most need of thy mercy. Amen. Gospel texts (quoted in whole or in part) In those days John the Baptist appeared, preaching in the desert of Judea and saying, “Repent, for the kingdom of heaven is at hand!” It was of him that the prophet Isaiah had spoken when he said: “A voice of one crying out in the desert, ‘Prepare the way of the Lord, make straight his paths.’” John wore clothing made of camel’s hair and had a leather belt around his waist. His food was locusts and wild honey. (Matthew, 3:1-4) I am baptizing you with water, for repentance, but the one who is coming after me is mightier than I. I am not worthy to carry his sandals. He will baptize you with the Holy Spirit and fire. (Matthew 3:11) Behold, the Lamb of God, who takes away the sin of the world. (John 1:29) I saw the Spirit come down like a dove from the sky and remain upon him. (John 1:32) You are my beloved Son; with you I am well pleased. (Mark 1:11, Luke 3:22) He was a burning and shining lamp, and for a while you were content to rejoice in his light. (John 5:35) (New American Bible, Revised Edition)

                                                [?]David McMullin » 🌐
                                                @mcmullin@musicians.today

                                                I’ll break the program note out into its own thread.

                                                Program note

                                                I like the spiritual idea of mystery—of something too profound to comprehend intellectually, which cannot be explained or grasped, only encountered and experienced. Music can be mysterious in that way.

                                                1/

                                                  [?]Sarah Sammis [They/She] » 🌐
                                                  @artbysarahsammis@socialbc.ca

                                                  Here is how my surreal pieces start. I put together a digital collage from my large vast photo collection. This piece has five photos. One my husband took, three I took, and one vintage portrait I purchased.

                                                  Next I'll draw my version of it in Procreate to test out the layout and sort out a color scheme. If I like it, I'll then do a larger painting in acrylics.

                                                  Digital collage of a chicken headed woman in a red skirt suit and white blouse sitting in a cream coloured chair. Below her a school of fish swim through the floor. Stairs lead up to a bed / sleeping area. Through open curtains a red barn is visible.

                                                  Alt...Digital collage of a chicken headed woman in a red skirt suit and white blouse sitting in a cream coloured chair. Below her a school of fish swim through the floor. Stairs lead up to a bed / sleeping area. Through open curtains a red barn is visible.

                                                    [?]Sarah Sammis [They/She] » 🌐
                                                    @artbysarahsammis@socialbc.ca

                                                    I've started to do the digital image which serves two purposes: the outline for transfer to the panel and the colour study. While working on the digital I decided more adjustments / details are needed.

                                                    Same collage as earlier but with the fish taking up more of the floor. The window area with the barn has been redone to give a sense of continuation of the inside to the outside. The ceiling over the bed is now fireworks.

                                                    Alt...Same collage as earlier but with the fish taking up more of the floor. The window area with the barn has been redone to give a sense of continuation of the inside to the outside. The ceiling over the bed is now fireworks.

                                                      [?]Kristin Henry: artist. Runs vis.social. » 🌐
                                                      @kristinHenry@vis.social

                                                      Playing with this mushroom pattern again for today's drawing. I also made progress on this "inclusions" piece on watercolor paper.

                                                      Here's an in-progress shot. The rest is now posted for my supporters on Patreon and Ki-fi: patreon.com/KristinHenry/posts
                                                      ko-fi.com/Post/InkyDays-July-2

                                                      Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit like a mushroom with spots on it's stem and cap.

                                                      Alt...Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit like a mushroom with spots on it's stem and cap.

                                                        [?]Kristin Henry: artist. Runs vis.social. » 🌐
                                                        @kristinHenry@vis.social

                                                        Playing with a simple branching fractal in today's drawing.

                                                        Here's an in-progress shot. The rest is now posted on my Patreon and Ko-fi: patreon.com/KristinHenry/posts
                                                        ko-fi.com/Post/InkyDays-July-2

                                                        Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks  bit like leaves on a twig.

                                                        Alt...Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks bit like leaves on a twig.

                                                          [?]Kristin Henry: artist. Runs vis.social. » 🌐
                                                          @kristinHenry@vis.social

                                                          Playing with networked ladybugs in today's drawing.

                                                          Here's an in-progress shot. The rest is now posted on my Patreon and Ko-fi: patreon.com/KristinHenry/posts
                                                          ko-fi.com/Post/InkyDays-July-2

                                                          Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit like a bunch of ladybugs arranged in a network diagram.

                                                          Alt...Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit like a bunch of ladybugs arranged in a network diagram.

                                                            [?]Kristin Henry: artist. Runs vis.social. » 🌐
                                                            @kristinHenry@vis.social

                                                            Playing with some more subtle inks in today's drawing. Then I felt like drawing some angry penguins. Lots and lots of angry penguins.

                                                            Here's an in-progress shot.

                                                            Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern is difficult to describe, but there are circles radiating out from a center.

                                                            Alt...Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern is difficult to describe, but there are circles radiating out from a center.

                                                              [?]Kristin Henry: artist. Runs vis.social. » 🌐
                                                              @kristinHenry@vis.social

                                                              Today I felt like drawing Batleth wielding penguins. So I did.

                                                              Here's an in-progress shot. The rest is now posted for all of my supporters on Patreon and Ko-fi: patreon.com/KristinHenry/posts
                                                              ko-fi.com/Post/InkyDays-July-2

                                                              Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks like two penguins holding Klingon Batleths as in from Star Trek. There is a clip holding my sketchbook open and my glass dipping pen is next to it.

                                                              Alt...Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks like two penguins holding Klingon Batleths as in from Star Trek. There is a clip holding my sketchbook open and my glass dipping pen is next to it.

                                                                [?]Kristin Henry: artist. Runs vis.social. » 🌐
                                                                @kristinHenry@vis.social

                                                                Going with a comforting floral motif in a gorgeous teal ink for today's drawing. I also finished a piece on watercolor paper. Feels good to finish bigger projects.

                                                                Here's an in-progress shot. The rest is now posted for my supporters on Patreon and Ko-fi: patreon.com/KristinHenry/posts
                                                                ko-fi.com/Post/InkyDays-July-2

                                                                Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern is floral.

                                                                Alt...Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern is floral.

                                                                  [?]Kristin Henry: artist. Runs vis.social. » 🌐
                                                                  @kristinHenry@vis.social

                                                                  Working on a squirmy sea star motif for today's inkyDays drawing. As I sat down to start drawing, I notice this little cluster of penguins were looking rather photogenic.

                                                                  Here's an in-progress photo. The rest is now posted for my supporters on Patreon and Ko-fi: patreon.com/KristinHenry/posts
                                                                  ko-fi.com/Post/InkyDays-July-2

                                                                  Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit like a sea star with squirmy arms.

                                                                  Alt...Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit like a sea star with squirmy arms.

                                                                    [?]Kristin Henry: artist. Runs vis.social. » 🌐
                                                                    @kristinHenry@vis.social

                                                                    Playing with a mushroom motif for today's drawing. I also made some small test prints with a penguin motif I carved out today. I'm thinking about sending some of these out to my sticker club supporters. I may even bring some to the Maker Faire in September.

                                                                    Here's an in-progress shot. The rest is now posted on this month's Patreon and Ko-fi posts: patreon.com/KristinHenry/posts
                                                                    ko-fi.com/Post/InkyDays-August

                                                                    Hand drawn generative/procedural art in ink on an open page of my sketchbook. The pattern looks a bit like a mushroom with polka dots on the stem and cap. There are words above and below the mushroom that read "Move Slow" and "Make Things"

                                                                    Alt...Hand drawn generative/procedural art in ink on an open page of my sketchbook. The pattern looks a bit like a mushroom with polka dots on the stem and cap. There are words above and below the mushroom that read "Move Slow" and "Make Things"

                                                                      [?]Kristin Henry: artist. Runs vis.social. » 🌐
                                                                      @kristinHenry@vis.social

                                                                      Playing with something different in today's drawing.

                                                                      Here's an in-progress shot. The rest is now posted on my Patreon and Ko-fi: patreon.com/KristinHenry/posts
                                                                      ko-fi.com/Post/InkyDays-August

                                                                      Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit like houses and apartment buildings on sloping hills.

                                                                      Alt...Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit like houses and apartment buildings on sloping hills.

                                                                        [?]Kristin Henry: artist. Runs vis.social. » 🌐
                                                                        @kristinHenry@vis.social

                                                                        Playing with some squigly wigly patterns in today's drawing.

                                                                        Then I spent a bunch of time playing with colors and linocut prints. Nothing to show yet, but I'm having fun with it.

                                                                        here's an in-progress shot of today's drawing.

                                                                        The rest, and more, is now posted for my supporters on Patreon and Ko-fi:

                                                                        Hand drawn generative/procedural art in ink on an open page of my sketchbook.

                                                                        Alt...Hand drawn generative/procedural art in ink on an open page of my sketchbook.

                                                                          [?]Kristin Henry: artist. Runs vis.social. » 🌐
                                                                          @kristinHenry@vis.social

                                                                          Experimenting with a new motif in today's drawing.

                                                                          Here's an in-progress shot.

                                                                          Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern is made from turtle motifs.

                                                                          Alt...Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern is made from turtle motifs.

                                                                            [?]Kristin Henry: artist. Runs vis.social. » 🌐
                                                                            @kristinHenry@vis.social

                                                                            Experimenting with blue turtles for today's drawing.

                                                                            Here's an in-progress shot. The rest is now posted for my supporters on Patreon and Ko-fi: patreon.com/KristinHenry/posts
                                                                            ko-fi.com/Post/InkyDays-August

                                                                            Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit like a network of turtles. My glass dipping pen is next to my sketchbook.

                                                                            Alt...Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit like a network of turtles. My glass dipping pen is next to my sketchbook.

                                                                              [?]Kristin Henry: artist. Runs vis.social. » 🌐
                                                                              @kristinHenry@vis.social

                                                                              In today's drawing, I'm experimenting with combining these turtle motifs with lizard motifs...and different colors.

                                                                              I also started a new piece on watercolor paper.

                                                                              Here's an in-progress shot. The rest is now posted for my supporters on Patreon and ko-fi: patreon.com/KristinHenry/posts
                                                                              ko-fi.com/Post/InkyDays-August

                                                                              Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit like a network diagram made of lizard and turtle motifs.

                                                                              Alt...Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit like a network diagram made of lizard and turtle motifs.

                                                                                [?]Kristin Henry: artist. Runs vis.social. » 🌐
                                                                                @kristinHenry@vis.social

                                                                                Taking inspiration from Ammonites for today's drawing. I liked it so much that I tried some on watercolor paper, too.

                                                                                Here's an in-progress shot. The rest is now posted for my supporters on Patreon and Ko-fi: patreon.com/KristinHenry/posts
                                                                                ko-fi.com/Post/InkyDays-August

                                                                                Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit like the cross section of an ammonite fossil. My glass dipping pen is next to my sketchbook.

                                                                                Alt...Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit like the cross section of an ammonite fossil. My glass dipping pen is next to my sketchbook.

                                                                                  [?]Kristin Henry: artist. Runs vis.social. » 🌐
                                                                                  @kristinHenry@vis.social

                                                                                  For today's drawing, I'm playing with yesterday's Ammonite inspired pattern but taking it in a more floral direction.

                                                                                  Here's an in-progress shot. The finished drawing, and more, is now posted for my supporters on Patreon and Ko-fi: patreon.com/KristinHenry/posts
                                                                                  ko-fi.com/Post/InkyDays-August

                                                                                  Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit floral.

                                                                                  Alt...Hand drawn generative/procedural art in ink on an open page of my sketchbook. The abstract pattern looks a bit floral.

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