Amitai Schleier

@schmonz@schmonz.com

Force multiplier.
Outcome improver.
Decision sharer.
Developer, leader, coach.
https://agilein3minut.es podcaster.
Musician.
Bad poet (award-winning).
JoinedApr 05, 2017 (@octodon.social)
SelfHostedMar 30, 2025
Pronounshe/they
Podcasthttps://agilein3minut.es
Consultancyhttps://latentagility.com
Morehttps://schmonz.com
Keyoxideaspe:keyoxide.org:PAC6KHICU3QSHQZVPJCZFS7KIA
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[?]Amitai Schleier »
@schmonz@schmonz.com

@CodingItWrong@mastodon.technology congratulations!



original post: https://octodon.social/@schmonz/108957821540335872

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[?]Amitai Schleier »
@schmonz@schmonz.com

It’s been a solid couple #dailypiano weeks of Grieg’s Lyric Pieces. I sorta want to get into something else. But when flipping through scores keeps turning up gems I’ve not yet heard, it’s hard to step away.

Here’s another: Op. 43 Erotikk (“Erotikon”). https://youtu.be/djzrKDOFFjY



original post: https://octodon.social/@schmonz/108952713369697478

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    [?]Amitai Schleier »
    @schmonz@schmonz.com

    Before we head out for the day, here’s a quick phone recording of Grieg’s Op. 71 Der var engang (“Once upon a time”).

    https://youtu.be/CWGR_Y2IJCE

    #dailypiano #pianominiature #pianominiatures #classicalmusic #classicalpiano #romanticism #grieg #lyricpieces



    original post: https://octodon.social/@schmonz/108940377541578690

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      [?]Amitai Schleier »
      @schmonz@schmonz.com

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      [?]Amitai Schleier »
      @schmonz@schmonz.com

      Home from driving around a sick kid for an hour’s nap, with a few minutes before everyone’s quiet time, here’s an almost-but-not-quite-solo reading of Grieg’s Lyric Piece Op. 43 Ensom vandrer (“Solitary traveler”).

      https://youtu.be/W6Zz5EaAkTs

      #dailypiano #pianominiature #pianominiatures #piano #classicalpiano #romanticism #grieg



      original post: https://octodon.social/@schmonz/108929826447971331

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        [?]Amitai Schleier »
        @schmonz@schmonz.com

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        [?]Amitai Schleier »
        @schmonz@schmonz.com

        Today’s #dailypiano #pianominiature was selected from Grieg’s Lyric Pieces to appeal maximally to my dad’s musical tastes, and was embargoed until he and I could listen to it together — several times. Success!

        Grieg’s Op. 65 I balladetone (“Ballad”): https://youtu.be/eeAw66MIqIU

        #piano #pianominiatures #classicalpiano #romanticism #grieg



        original post: https://octodon.social/@schmonz/108925246482508073

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          [?]Amitai Schleier »
          @schmonz@schmonz.com

          For today’s #dailypiano #pianominiature, it’s yet another old favorite of mine from Grieg’s Lyric Pieces: Op. 71 Forbi (“Gone”). Not a lot of notes, but some of them are C#, and the rest are tricky to hold together on the maybe 5th read-through.

          https://youtu.be/eAYlrvgpa4w #piano #pianominiatures #classicalpiano #romanticism #grieg



          original post: https://octodon.social/@schmonz/108918425737562097

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            [?]Amitai Schleier »
            @schmonz@schmonz.com

            Another Grieg Lyric Piece that I’m playing for the first time today, acquired quickly thanks to decades of listening: Op. 54 , Notturno (“Nocturne”).

            https://youtu.be/HVMYfxetZRc

            #dailypiano #piano #pianominiature #pianominiatures #classicalpiano #romanticism #grieg



            original post: https://octodon.social/@schmonz/108912807509600301

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              [?]Amitai Schleier »
              @schmonz@schmonz.com

              Hoo boy, today’s #dailypiano #pianominiature could REALLY use a C# that works. And maybe some more nuance in the keyboard action. (And more technique, but let’s be realistic.)

              Grieg Lyric Pieces, Op. 68 No. 5, Bådnlåt (“At the cradle”):

              https://youtu.be/o1EV-MKOyRY



              original post: https://octodon.social/@schmonz/108906811845631800

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              [?]Amitai Schleier »
              @schmonz@schmonz.com

              Yesterday was #playmusicontheporchday. Today, we’re back to one (and only one) #dailypiano #pianominiature from Grieg’s Lyric Pieces, another that I’ve known and loved and am finally playing with my own two human hands: Op. 47 “Melodi”. https://youtu.be/2JM6ORSxKxM

              #pianominiatures #piano #classicalpiano #romanticism #grieg



              original post: https://octodon.social/@schmonz/108900920149884408

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                [?]Amitai Schleier »
                @schmonz@schmonz.com

                For #playmusicontheporchday I sat out on the almost-porch and played for a couple hours. Medtner, Alkan, Satie, Grieg, Rachmaninov, and Schumann. Maybe there's a piece you'd want to hear again, after I've worked on it. 🤪 #classicalmusic #classicalpiano

                https://youtu.be/rhLZjKO5NXU



                original post: https://octodon.social/@schmonz/108898152341273435

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                [?]Amitai Schleier »
                @schmonz@schmonz.com

                It’s #playmusicontheporchday! I won’t be playing music on the porch. Piano’s in the adjoining room, though, and the windows’ll be open.

                For those of you not in my neighborhood, follow my Twitch to be notified when I’m playing: https://www.twitch.tv/schmonzie #dailypiano



                original post: https://octodon.social/@schmonz/108892934518962327

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                [?]Amitai Schleier »
                @schmonz@schmonz.com

                Here’s one of Grieg’s Lyric Pieces that I’ve heard (and loved) for decades. Finally putting hands to Op. 57 , Heimweh (“Homesickness”). Hands are pretty happy. What differences in style do you notice from the earlier Op. 12 works?

                https://youtu.be/bdNng0lclOo #dailypiano #dailypiano #pianominiature #pianominiatures #classicalpiano #romanticism #grieg



                original post: https://octodon.social/@schmonz/108890113947190102

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                  [?]Amitai Schleier »
                  @schmonz@schmonz.com

                  Just an ordinary neighborhood omen. I like how this one’s boding.



                  original post: https://octodon.social/@schmonz/108885762415335864

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                  [?]Amitai Schleier »
                  @schmonz@schmonz.com

                  Continuing my discovery-by-hands of Grieg’s Op. 12 Lyric Pieces, here’s Folkevise (“Popular melody”). Characteristic of this thread, we really miss that C#. #piano #dailypiano #pianominiature #pianominiatures #classicalpiano #romanticism #grieg

                  https://youtu.be/lDp4mZs39Kw



                  original post: https://octodon.social/@schmonz/108884235754671117

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                    [?]Amitai Schleier »
                    @schmonz@schmonz.com

                    Getting a kick out of playing music I’ve never met; equivalently, out of meeting music by playing it. My first read-through of Grieg’s Lyric Pieces Op. 12 Alfedans (“Elves’ Dance”) was almost as good as this one. What even is going on here. #dailypiano #pianominiatures #grieg https://youtu.be/N5FSOh1jyAo



                    original post: https://octodon.social/@schmonz/108878587231819827

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                      [?]Amitai Schleier »
                      @schmonz@schmonz.com

                      Yesterday’s #dailypiano was a new and exciting formula:

                      1. Share myself playing something I’ve never heard
                      2. Find a recording and see how I did

                      So here’s another of Grieg’s Lyric Pieces I’m not familiar with: Op. 12 Vektersang (“Watchman’s Song”).

                      https://youtu.be/BFzYtryY71s

                      #piano #pianominiature #pianominiatures #classicalpiano #romanticism #grieg



                      original post: https://octodon.social/@schmonz/108873885068608550

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                        [?]Amitai Schleier »
                        @schmonz@schmonz.com

                        Brought my folks the “complete” Daily Piano Miniatures on 3 audio CDs. They’ve been having a listening party.

                        Today’s Grieg Lyric Piece is Op. 12 , Vals (“Waltz”), and a #dailypiano #pianominiature first: to my knowledge, I’ve never heard it before.

                        https://youtu.be/0v_7AG6V5-8

                        #piano #pianominiatures #classicalpiano #romanticism #grieg



                        original post: https://octodon.social/@schmonz/108868419903557733

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                          [?]Amitai Schleier »
                          @schmonz@schmonz.com

                          It’s gonna be a tricky couple weeks for #dailypiano, with camp over and school not yet in session. I’m counting on Grieg’s Lyric Pieces to be simple and forgiving enough. Here’s the first one from the first set, Op. 12: “Arietta”.

                          https://youtu.be/Ah0NNxBXayE

                          #piano #dailypiano #pianominiature #pianominiatures #classicalpiano #romanticism #grieg



                          original post: https://octodon.social/@schmonz/108861711982518808

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                          [?]Amitai Schleier »
                          @schmonz@schmonz.com

                          Until we meet Alkan again, here’s not a Prélude but an Op. 63 Esquisse (sketch), the fourth, called “Les Cloches”. I wonder if Mompou, from a family of bell makers, was familiar with this one.

                          https://youtu.be/V8fEnlBNa9c

                          #piano #dailypiano #pianominiature #pianominiatures #classicalpiano #romanticism #alkan



                          original post: https://octodon.social/@schmonz/108856891998254090

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                          [?]Amitai Schleier »
                          @schmonz@schmonz.com

                          We’ll wrap up our visit with Alkan tomorrow. But first, let’s bring back some weird.

                          Op. 31 “Anniversaire” starts Baroque and ends in the parallel major (redolent of that era, sort of). In between, it’s all newer harmonies and odder progressions.

                          https://youtu.be/5tZW7a51Hvg

                          #piano #dailypiano #pianominiature #pianominiatures #classicalpiano #romanticism #alkan



                          original post: https://octodon.social/@schmonz/108850453648028447

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                            [?]Amitai Schleier »
                            @schmonz@schmonz.com

                            Yesterday we had Alkan’s version of western art music’s Baroque style. Today we have his take on Classical (which as a term of art refers to a much narrower period than “classical music”). Like jumping from Bach to Mozart, except it’s one 19th-century guy.

                            https://youtu.be/yvTQ97PosKE

                            #piano #dailypiano #pianominiature #pianominiatures #classicalpiano #romanticism #alkan



                            original post: https://octodon.social/@schmonz/108844538946378595

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                            in reply to »

                            [?]Amitai Schleier »
                            @schmonz@schmonz.com

                            To myself, I usually sound like “guy who loves the piano.” No shame in that. But this time I sound almost like “poorly recorded pianist.”

                            Not sure I’ve ever heard myself this way. Digging it.



                            original post: https://octodon.social/@schmonz/108841079060539202

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                            [?]Amitai Schleier »
                            @schmonz@schmonz.com

                            Alkan’s apparent naïveté, as mentioned previously, is faux. Here’s an example of how we know what he knows. Prélude Op. 31 , “Dans le genre ancien” (“In the old style”): https://youtu.be/Mc9SVAznMzs

                            #dailypiano #pianominiatures #classicalpiano #baroque #romanticism #piano #alkan



                            original post: https://octodon.social/@schmonz/108839229503153140

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                              [?]Amitai Schleier »
                              @schmonz@schmonz.com

                              Here’s another video (less than 20 minutes) of what the #dailypiano learning looks like, showing a bit of deliberate practice followed by a bit of immediate improvement. https://youtu.be/06voBmgnYsg



                              original post: https://octodon.social/@schmonz/108835443528887698

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                              [?]Amitai Schleier »
                              @schmonz@schmonz.com

                              If I were one for morning prayer, I guess I’d need it to be short, optimistic, short, pleasant, short, formulaic, and short. Here’s Alkan’s Prelude Op. 31 , “Prière du matin”. https://youtu.be/i2lHLTUJS_Q #piano #dailypiano #pianominiature #pianominiatures #classicalpiano #classicalmusic #romanticism #alkan



                              original post: https://octodon.social/@schmonz/108833432029854836

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                                [?]Amitai Schleier »
                                @schmonz@schmonz.com

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                                [?]Amitai Schleier »
                                @schmonz@schmonz.com

                                Based on the name (“I was asleep, but my heart was watching”), this could be my family’s theme song.

                                I was playing quietly, but my iPad auto-gain was engaging. Imagine this in a concert hall, each chord eking out its tiny sonority atop the last.

                                https://youtu.be/RlqxC4l1Px4

                                #piano #dailypiano #pianominiature #pianominiatures #classicalpiano #classicalmusic #romanticism #alkan



                                original post: https://octodon.social/@schmonz/108827497677806877

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                                [?]Amitai Schleier »
                                @schmonz@schmonz.com

                                A pivotal moment in schmonzdom: on the merits of this recital I played in hopes of getting some tuition money, uni accepted me as a music major. Problem is, I hadn’t wanted that. I wanted CS classes more than anything and my advisor from the music dept couldn’t get me into those.

                                I frazzled out at that uni, and almost certainly would have regardless of which courses I took.

                                8 years later I tried uni again somewhere else, and at that point music WAS what I wanted to study. I graduated at 30 with a bachelor’s in it.

                                I also graduated with a changed belief.

                                My belief at the time of this 1997 recital, and at the beginning of the 2005-6 school year: reading music is an aptitude, I lack it, and I compensate well enough by memorizing quickly.

                                My belief a few years later: sight-reading is a skill. By practicing, I’ll get better at it.

                                All that seems obvious to me now, and it surely seemed obvious to you well before now. But young-musician-me had been resigned to playing only pieces that others could show me and help me with. I would never have believed a different experience were possible for me.

                                Lots of lessons in this: for me personally, for how I raise (and praise) my kids, for how I work in and with teams. Most of all: by changing a key belief, I changed how I relate to music. You’ve been seeing and hearing the fruits of that.

                                How did I get that belief to change? Well, that’s the magic, isn’t it. Lots of things had to change a little bit.

                                What else changed when I gave myself a more direct relationship to music-making? Another thing I never would have guessed: making more direct relationships with you.

                                In conclusion, behavior, conditions, beliefs, mindset, behavior, and so on, forever. But mainly, thanks for listening. And I don’t mean about the music. 💖



                                original post: https://octodon.social/@schmonz/108821961326383848

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                                [?]Amitai Schleier »
                                @schmonz@schmonz.com

                                Here’s another sweet, utterly guileless Alkan #pianominiature. The Frenchman wrote other pieces called “Berceuse” so I have no idea why my score says this one’s “Wiegenlied”. It’s also marked Doucement AND Dolce. Simplest explanation: a Swiss conspiracy.

                                https://youtu.be/JK4pV5TE6hU

                                #piano #dailypiano #pianominiature #pianominiatures #classicalpiano #classicalmusic #romanticism #alkan



                                original post: https://octodon.social/@schmonz/108817382074577626

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                                [?]Amitai Schleier »
                                @schmonz@schmonz.com

                                Occasionally you reach the end of an Alkan piece and realize that not one weird thing happened the whole time. Gotcha! _That’s_ what’s weird.

                                “Le Temps Qui N’est Plus” (“The Time Which Is No More”), Op. 31 is one of these. Just gorgeous. Imagine if that D flat worked.

                                https://youtu.be/Bn4jUzXBGF4

                                #piano #dailypiano #pianominiature #pianominiatures #classicalpiano #classicalmusic #romanticism #alkan



                                original post: https://octodon.social/@schmonz/108810629940494978

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                                  [?]Amitai Schleier »
                                  @schmonz@schmonz.com

                                  Today’s weird Alkan (approximately “Song of the Madwoman on the Seashore”) has a bass ostinato of closely spaced chords, begging for better sonics, while also being the longest stretch of music I’ve ever played with my arms this far apart. https://youtu.be/7zSIVtwcoiM #piano #dailypiano #pianominiature #pianominiatures #classicalpiano #classicalmusic #romanticism #alkan



                                  original post: https://octodon.social/@schmonz/108805051064606028

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                                  [?]Amitai Schleier »
                                  @schmonz@schmonz.com

                                  Both Alkans are always weird. Today we get jarring major-minor shifts, unmitigated tritones, oddly emphasized third and seventh scale degrees, the occasional parallel fifth, and two distinct alternating styles (I might dub them “Jewish” and “European”).

                                  https://youtu.be/KUATWYaOrq4

                                  #piano #dailypiano #pianominiature #pianominiatures #classicalpiano #classicalmusic #romanticism #alkan



                                  original post: https://octodon.social/@schmonz/108799571897006026

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                                  [?]Amitai Schleier »
                                  @schmonz@schmonz.com

                                  I’d need at least a few years’ prep time to acquire the technique to attempt torrential-Alkan, so for #dailypiano #pianominiatures I’ll be playing the other kind. Today’s Alkan is another of the Op. 31 Préludes, this time “Prière Du Soir”.

                                  #pianominiature #classicalpiano #classicalmusic #romanticism #alkan

                                  https://youtu.be/xxxPS8kBrFM



                                  original post: https://octodon.social/@schmonz/108793708081858405

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                                    [?]Amitai Schleier »
                                    @schmonz@schmonz.com

                                    This week in #dailypiano #pianominiatures, let’s do some Alkan.

                                    Oversimplifying, there are two Alkans:

                                    1. Torrential, as if Beethoven were a drug and Liszt were high on it
                                    2. Sweetly naïve, or seemingly so

                                    Here’s the first of Alkan’s Op. 31 Préludes:

                                    https://youtu.be/tbazyXVawGk

                                    #pianominiature #classicalpiano #classicalmusic #romanticism #alkan



                                    original post: https://octodon.social/@schmonz/108787709137539323

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                                    [?]Amitai Schleier »
                                    @schmonz@schmonz.com

                                    We complete Schumann’s Kinderszenen today with the enigmatic “Der Dichter Spricht”. New composer coming Monday!

                                    https://youtu.be/7EaxigmfABk

                                    #dailypiano #piano #pianominiature #pianominiatures #classicalpiano #classicalmusic #romanticism #schumann



                                    original post: https://octodon.social/@schmonz/108776468895756049

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                                    in reply to »

                                    [?]Amitai Schleier »
                                    @schmonz@schmonz.com

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                                    [?]Amitai Schleier »
                                    @schmonz@schmonz.com

                                    “Kind im Einschlummern” is our eternal Wunsch für our Kinder. Maybe tonight can be the night.

                                    It’s also the penultimate of Schumann’s Kinderszenen. Let yourself drift off with it.

                                    https://youtu.be/PnP72ZjATYk

                                    #dailypiano #piano #pianominiature #pianominiatures #classicalpiano #classicalmusic #romanticism #schumann



                                    original post: https://octodon.social/@schmonz/108770764661708489

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                                    [?]Amitai Schleier »
                                    @schmonz@schmonz.com

                                    We’re nearing the end of Schumann’s Kinderszenen, so I’ll have to figure out where our next batch of #dailypiano will come from.

                                    Time enough for one take today. By definition, therefore, it’s good enough. Here’s “Fürchtenmachen” (“Frightening”): https://youtu.be/A4gNzAGnLmE

                                    #piano #pianominiature #pianominiatures #classicalpiano #classicalmusic #romanticism #schumann



                                    original post: https://octodon.social/@schmonz/108765769469627400

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                                    [?]Amitai Schleier »
                                    @schmonz@schmonz.com

                                    “Fast zu Ernst” was relatively tricky for me to understand, so I worked (relatively) hard to untangle it. I think I finally got the idea. A C-sharp would really help on this one, but your ear will imagine it anyway.

                                    #piano #dailypiano #pianominiature #pianominiatures #classicalpiano #classicalmusic #romanticism #schumann

                                    https://youtu.be/OacCm8VxnyE



                                    original post: https://octodon.social/@schmonz/108759421934730278

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                                    [?]Amitai Schleier »
                                    @schmonz@schmonz.com

                                    Schumann’s Kinderszenen-a-day continues with “Ritter vom Steckenpferd” (“Knight of the Hobby-Horse”). In the second-section repeat you’ll see the moment when I realize I now know the notes and had better watch my hands instead. You’ll hear the difference, too. #piano #dailypiano #pianominiature #pianominiatures #classicalpiano #classicalmusic #romanticism #schumann

                                    https://youtu.be/WhhgSrCR9-g



                                    original post: https://octodon.social/@schmonz/108754323448628631

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                                    [?]Amitai Schleier »
                                    @schmonz@schmonz.com

                                    “Am Kamin” is much harder to tame and much less striking to hear. But it’s shorter, so it’s got that going for it. And it’s still Schumann. #dailypiano #pianominiatures #piano #classicalpiano #classicalmusic #romanticism #schumann

                                    https://youtu.be/Wu1dKNrfyaw



                                    original post: https://octodon.social/@schmonz/108748593192869635

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                                    [?]Amitai Schleier »
                                    @schmonz@schmonz.com

                                    If you’d previously heard only one #pianominiature from Schumann’s Kinderszenen, it’s surely this one. “Träumerei” is famous in part because it doesn’t need to be played terribly well to sound terribly beautiful. Which comes in handy right about now.

                                    https://youtu.be/-1o91CKEfJo



                                    original post: https://octodon.social/@schmonz/108743631396820285

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                                    [?]Amitai Schleier »
                                    @schmonz@schmonz.com

                                    I did not know this was a name I could have. I don’t have it, but I could.



                                    original post: https://octodon.social/@schmonz/108733581898403759

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                                    [?]Amitai Schleier »
                                    @schmonz@schmonz.com

                                    Today’s bit of Schumann’s Kinderszenen didn’t take many run-throughs to memorize. It’s “Wichtige Begebenheit”, and its job is to succinctly herald its Important Event and promptly and courteously withdraw.

                                    https://youtu.be/iKZvQUh9WT4

                                    #dailypiano #pianominiatures #schumann



                                    original post: https://octodon.social/@schmonz/108731141263468477

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                                    [?]Amitai Schleier »
                                    @schmonz@schmonz.com

                                    A couple days ago, “Hasche-Mann”’s technical details took enough work that I wound up memorizing it. Came close with today’s #pianominiature from Schumann’s Kinderszenen, “Glückes Genug” (“Happy Enough”), a strong contender for the most Germanic sentiment possible.

                                    https://youtu.be/YaGMYiRKPI8

                                    #dailypiano #pianominiatures #classical #piano #classicalmusic #schumann



                                    original post: https://octodon.social/@schmonz/108725708084365217

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                                    [?]Amitai Schleier »
                                    @schmonz@schmonz.com

                                    Next up from Schumann’s Kinderszenen: “Bittendes Kind”. #dailypiano #pianominiatures

                                    https://youtu.be/U2H-l59RoUw



                                    original post: https://octodon.social/@schmonz/108721543982353625

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                                    [?]Amitai Schleier »
                                    @schmonz@schmonz.com

                                    The next scene in Kinderszenen is even shorter: less than a minute! Here’s my approximation of “Hasche-Mann”. #dailypiano #pianominiatures

                                    https://youtu.be/cDHbwCaqJiA



                                    original post: https://octodon.social/@schmonz/108714288734592502

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                                    [?]Amitai Schleier »
                                    @schmonz@schmonz.com

                                    A couple of those Bowen pieces were downright long. We’re on a mission to bring the average track length back down, and thanks to Schumann’s Kinderszenen we’re going to succeed. Here’s the second one, “Kuriose Geschichte”: https://youtu.be/4tNKFgMgM70



                                    original post: https://octodon.social/@schmonz/108708643704265585

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